Stella & Rose's Books

"The alternative small run publication has often dazzled, always relentlessly focused on changing the way we look at the printed page. Looking haughtily over its shoulder to fleur's flair, Visionaire rolls up its sleeves, cups its hands to its mouth, flexes it muscles and whispers, "The eyes have it."

- David Bowie

This particular issue of the highly collectible, multi-format, luxury art and fashion publication based in New York City, with its heavily embellished, gilded and incredibly ornate cover, was inevitably going to appeal to the magpie in me! I have an unashamed love of all things 'baroque' and when this issue came into the office amongst other art books purchased at a recent auction, I was immediately drawn to its luminous gold exterior and intrigued to learn what treasures it might reveal upon closer inspection of the contents. Beneath the hologrammed, embossed, and foil-stamped sun motif hides a shallow box of curiosities, each more intriguing than the last and each with its own unique take on the theme of 'gold', including: Seven pages of Philip Taaffe’s gold stars foil stamped onto vellum, Inez van Lamsweerde and Vinoodh Matadin’s fashion photographs featuring gold-foil stamping to four-color prints Origami USA, who folded a gold-paper goldfish for each issue and, my personal favourite, Todd Oldham's contribution of an actual gilded-metal halo!

This work is published in three parts, each part consisting of two volumes. Our featured book is Part One and is complete with the two volumes. Anyone familiar with Lansdowne Editions will know them for their sheer size and wonderful illustrations. This is not a book that you can curl up with on a cold winter's evening in front of the fire, you can, however, sit at a table and peruse the volumes in front of a nice warm fire! (Of course, the fire does not have to be there in order for you to enjoy these elephantine volumes – one alone weighing 5.8kg!!).

This is the Collector's Issue and only issue of the first edition of Kingfishers and Related Birds. Limited to 1000 copies and signed by the author: Joseph M. Forshaw, an Australian ornithologist with particular expertise in parrots, and by the illustrator: William T. Cooper a renowned Australian nature artist, this is copy 791. Included with the books is also a signed limited edition plate reproduced from the second volume.

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This catalogue was produced to accompany an exhibition at the Walker Art Gallery in Liverpool at the end of 1994. The exhibition focused on self portraits from the Walker Gallery itself but included many paintings from around the British Isles.  

Self-portraiture was a popular method of painting, it was also cheap and you could always rely on the sitter! The popularity of the Self-Portrait went hand in hand with the technology of developing non distorting mirrors, flat mirrors, thus enabling an artist to view themselves better. It was the 17th century that saw the real boom in self-portraiture and one of the most prolific artists of self-portraiture, Rembrandt van Rijn (below centre as young man, right as old man).  

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The story, which starts in London on a snowy New Year's Day, is about two friends who are apprentices to pawnbrokers. Amos Coot, a sixteen year old in the fourth year of his apprenticeship, works for Mr. Thompson – Personal Banking on Moderate Terms. Jeremiah Snipe is apprentice to Mr Long – Loans arranged for Modest Security.

The two friends have been left in charge of their respective shops by their employers who have gone away to the country for the festive period. Both apprentices have been trained by ruthless employers. In Mr Thompson's words ' A pawner is a man in difficulties and a man in difficulties is a man in despair. Despair makes a man untrustworthy, it turns him into a liar, a swindler, a cheat'. He maintains that they always tell you they will return to redeem their item - that it is only a loan they are having. 'But like tomorrow, they never come' he adds 'So you watch out!'

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Our Darlings "The Best Monthly Magazine For Young Folks"

We recently purchased a collection of annuals from auction. In among them were a few copies of “Our Darlings”. These annuals really stood out to me as they are attractive books with pictorial front covers and illustrated by well known artists of the time (the editions we purchased were from the early 1900's).

Above: Example of front cover, and Leigh Kidman illustration

Arists included Ernest Aris, Louis Wain, E.S. Hardy, Harry B. Neilson, Leigh Kidman, Jaques Browne, Chris Temple, although most illustrations are uncredited (no signature present).

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This week, while packing up to move house – I've been going through my bookcase to see which books to give away (none so far) and I came across my facsimile copy of 'Peter Pan In Kensington Gardens' by J.M. Barrie and illustrated by Arthur Rackham.

Originally published in 1906, Barrie utilises many chapters of 'The Little White Bird' (published in 1902), with only a few changes in text. 'The Little White Bird' was seen as a novel for adults, where Peter Pan is introduced, but 'Peter Pan in Kensington Gardens' was produced purely as a children's book, with stunning illustrations to match.

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Issued in 1982, it was printed with Laminate boards, with the image of 4.5 Litre Bentley, Vanden Plas to the front cover. There was only one issue of this particular observer, making it one of the harder to find books.

It contains A foreword by Lord Montagu of Beaulieu, and has 11 colour and 45 black and white photographs, 184 printed pages. The format of the book is an A-Z guide. . This is the Partner book to The observer's book of Classic Cars, which deals with the post war classics. The last book to be listed on the rear cover is No. 82 Gardens

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Firstly let me introduce you to Flight Officer Joan Worralson, known to her friends as 'Worrals'. She is a member of the Women's Auxiliary Air Force (W.A.A.F.) the female section of the Royal Air Force (R.A.F.) established in real life in 1939. From the earlier book Worrals of the W.A.A.F. we learn that Worrals's job is supposed to be ferrying aeroplanes from one airfield to another, mainly for maintenance reasons, and she was not in any circumstances to engage in combat.

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Many generations have come to know and love the self-confessed ‘bear of little brain’ – Winnie-The-Pooh. What though, do we know of his history?

Winnie-The-Pooh’s history starts way back during the first world war, when during a stop-off in Canada, on his way to Europe, a lieutenant called Harry Colebourn bought a small black female bear cub for 20 dollars from a hunter. He named her ‘Winnipeg’ after his home town of Winnipeg and she was called ‘Winnie’ for short. Winnie became the mascot for the brigade. When posted to France, Lt. Colebourn took Winnie to London Zoo, where she stayed on a long loan, until she was formally presented to the zoo in the December of 1919.

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From the start

"The Mole had been working very hard all morning..."

to the finish

"but it never failed to have its full effect."

this is a story that has captivated us all, boy or girl, young or old. The characters are instantly recognised by all, and who would be able to resist the chance to visit the river bank and meet up with them.

Rene Cloke (left) and Babette Cole (below right) are among those who have provided illustrations for this popular tale.

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'Little boy kneels at the foot of the bed,Droops on the little hands little gold head,Hush! Hush! Whisper who dares!Christopher Robin is saying his prayers...'

Those classic lines of children's poetry are to be found on any nursery bookshelf in the book'When We Were Very Young'. Yet, how did the author of detective novels become world famous for a quartet of children's verse and prose revolving around a child and his teddy?

Alan Alexander Milne was born in 1882 in London. At a young age he developed an insatiable appetite for reading. In 1903, Milne had his first book published entitled 'Lovers in London'. Later, Milne began to produce a weekly feature for the magazine 'Punch'. After some time, the author decided to stretch his literary muscles by writing plays, some of which were quite successful. Then, in 1922 Milne wrote a detective story entitled 'The Red House Mystery'. This was an instant success and prompted Curtis Brown to contract Milne to write three more novels. Milne was finally realising his dream of becoming a serious dramatist and adult novelist! However, things were about to change...

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This is the book I should have bought for Katie (my middle daughter) as part of her 18th Birthday present. Instead we bought her the dog! Well actually on the day of her birthday she got his collar tag – Barney arrived a couple of weeks later when he was old enough to leave his mother. We hadn't set out to get a Westie but friends had a litter and there was one male left. Katie didn't so much choose Barney as he chose her by coming to her and sitting on her foot! He had been the runt of the litter and was initially hand fed but he's now strong and healthy and the apple of his mistress's eye.

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Waterways of the World is an interesting factual book in the Puffin Picture Book series. These small, colourful, softcover books are always informative, being written largely for children in a relatively simple and concise manner.

The book begins with the Great Rivers, describing the Ganges of India, the Yangtse of China, the Nile, the Thames, The Mississippi and the Rhine. Each page has a description of the rise and flow of the river along with illustrations and facts.

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The Water Babies, subtitled by its author as A Fairy Tale for a Land Baby, on closer examination has been seen as more than just a fairy tale by many. It can also be seen as a story rich in moral lessons and religious parallels.

Written for his son Grenville, Charles Kingsley's popular fable was first serialised in MacMillan's Magazine on a monthly basis, from August 1862 through to March 1863.

It was first published in book form in 1863 with two full page illustrations by J. Noel Paton.

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I have always been a film Fan, so combined with a passion for books it comes as no surprise that I have bookshelves groaning under the weight of film-related books.

But I have a special love for what I call 'buffet books', those titles you can dip in and out of for a few moments, it might entail looking up a particular film, or specific actors or directors whilst waiting for the kettle to boil.

With this in mind I bring to your attention The Versatiles, a book containing brief biographies of a selection of the most prolific supporting actors in film, those whose faces you are familiar with, but about whom you know little else.

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What a strange rhyming book this is! 

Each page is delightfully illustrated by Bertha Upton's daughter, Florence K. Upton, best-known for the series of Golliwoggbooks. In 1897, having had two Golliwogg books published, the Uptons decided to try something different with The Vege-Men's Revenge.

The story is about a little girl named Poppy who is sent by her mother to collect vegetables in her basket. The book is in three parts and in the first part Poppy meets Herr Carrot and Don Tomato who entice her with 'fair words' to come and see how they grow underground.

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Published in 1766, The Vicar of Wakefield by Irish author Oliver Goldsmith was one of the most popular and widely read novels during the Victorian age, and it has maintained its status as a classic to this day.

Dr. Samuel Johnson, a friend of Goldsmith, provides an account of the circumstances which led to the publication of the novel at a time when the author was facing the prospect of a debtors' prison. Johnson had received a message from the author stating that he was in great distress and begging that he would come to his aid:-

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This was the fifth series to be produced by Ladybird books - series 474. Six titles were published between 1947 and 1953, with the first three being published together in May 1947 - something that can cause confusion to collectors of first editions.

The original stories were written by Dorothy Richards and illustrated by Ernest A. Aris. Ernest Aris was a prolific illustrator not only of books, but also cigarette cards, seaside postcards and jigsaws. He had also designed a series of lead figures called the Cococubs which had been given away by Cadbury's Cocoa. Amongst the many woodland figures that he had drawn, there were several rabbits who bear a resemblance to Tasseltip.

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Whilst retrieving an elusive volume from our Special Book Room, I stumbled across this book in one of the cabinets. Beneath the green, tooled design covers I suspected that there would be something special lurking inside - and this is certainly true.

Left: The decorative title page.

Although aficionados of opera would doubtless recognise the title, as an ex-student of Classics and ancient mythology I was of course hooked by the opening lines:-“Dead are the Gods of Greece this many a day... yet among the grey crags of the Horselberg, there dwells a creature fair and fearful, whom men deem to be the goddess of unholy love.”This creature 'with the witchery of womanhood and mighty with the spell of the divine' is of course Venus, and this opening sets the tone for the poem's examination of the conflict between sacred and profane love.

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An eye catching cover which makes a book stand out amongst a shelf of assorted books must be a good thing and I was certainly drawn to this book by its cover and, I'm pleased to say, I wasn't disappointed with the contents either. The Tale of Tales was written by Tony Mitton and illustrated in black and white by Peter Bailey. The book contains a collection of small stories within the main story, a concept I enjoyed.

The main story starts deep in the jungle with monkey overhearing some parrots talking about going to hear the Tale of Tales in Volcano Valley that afternoon. The parrots decided not to spread the word as too many ground animals might turn up and they would be noisy and take up too much room. Monkey was excited and curious and decided he must try to hear the Tale of Tales so he set off at speed along the path to Volcano Valley but as he rounded the first bend he ran straight into an elephant. An excited Monkey told Elephant about the conversation he'd overheard and, as he liked a good story, Elephant decided to go too. Monkey climbed up to sit on Elephant's neck and off they went. To pass the time en route Monkey said he would tell Elephant one of his favourite stories.